标准英音有多好听!英国VA博物馆 古董CHANEL 03(完
字幕摘录
| 时间 | 英文 | 中文 |
|---|---|---|
| 0:27 | The boxy cut that you can see here is typical of a classic Chanel suit and | 你可以看到的拳击切片 是典型的香奈儿西装 |
| 0:36 | really meant that the wearer had much greater freedom of movement, it was much | 真正意味着穿戴者有更大的行动自由,这是很多 |
| 0:40 | more comfortable to wear. | 穿起来更舒服 |
| 0:44 | And the pockets that you see here have been faced in the | 你在这里看到的口袋 已经面对 |
| 0:49 | same fabric that has lined the jacket, made the blouse of the dress and lined | 衣服和衬线的布料 |
| 0:55 | the dress. | 这件衣服 |
| 0:56 | They're working pockets as you can see here and they run all the way | 你可以看到,他们正在工作 口袋,他们跑一路 |
| 1:01 | down to the edge of the hem of the jacket. | 下到夹克的螺旋边缘。 |
| 1:17 | You can see with the sleeves this | 你用袖子就能看见这个 |
| 1:19 | lovely turned sleeve makes a feature of the fabric that's been used for the | 可爱的翻转袖子 使布料的特征 曾经用于 |
展开字幕全文(58 条)
| 序号 | 英文 | 中文 |
|---|---|---|
| 1 | The boxy cut that you can see here is typical of a classic Chanel suit and | 你可以看到的拳击切片 是典型的香奈儿西装 |
| 2 | really meant that the wearer had much greater freedom of movement, it was much | 真正意味着穿戴者有更大的行动自由,这是很多 |
| 3 | more comfortable to wear. | 穿起来更舒服 |
| 4 | And the pockets that you see here have been faced in the | 你在这里看到的口袋 已经面对 |
| 5 | same fabric that has lined the jacket, made the blouse of the dress and lined | 衣服和衬线的布料 |
| 6 | the dress. | 这件衣服 |
| 7 | They're working pockets as you can see here and they run all the way | 你可以看到,他们正在工作 口袋,他们跑一路 |
| 8 | down to the edge of the hem of the jacket. | 下到夹克的螺旋边缘。 |
| 9 | You can see with the sleeves this | 你用袖子就能看见这个 |
| 10 | lovely turned sleeve makes a feature of the fabric that's been used for the | 可爱的翻转袖子 使布料的特征 曾经用于 |
| 11 | lining. | 衬里 |
| 12 | And then if we look at the blue fabric that is a much more lightweight | 然后,如果我们看看蓝色的布料 是一个更轻的重量 |
| 13 | fabric that she's used to line the jacket and face the pockets and also | 她用来线条夹克 面对口袋的布料 |
| 14 | create the blouse and the cuffs and the lining of the dress so it's uniform | 创造上衣、袖口和裙子的衬里,这样就统一了 |
| 15 | throughout. | 整个 |
| 16 | This is made of a muslin fabric which is far more sheer than the | 这是用木斯林织物做的 远不止于 |
| 17 | very heavy clock late fabric that she's used and it's a really lovely contrast to | 她用的很重的时钟后期布料 和它非常相像 |
| 18 | this very pale off-white, creates a very sculptural, very high contrast effect | 这个非常苍白的白色, 创造了一个非常雕刻,非常高的对比效应 |
| 19 | when seen on the body. | 当在尸体上看到。 |
| 20 | Buttons on a Chanel suit are really key. | 香奈儿西装上的扣子是关键 |
| 21 | She very | 她非常喜欢 |
| 22 | famously included signature buttons to match each suit that she designed. | 著名的包括签名按钮来匹配她设计的每套套装. |
| 23 | These | 这些 |
| 24 | ones in particular are moulded plastic and you can see their inner technique | 特别是塑胶,你可以看到它们的内在技术 |
| 25 | with indents on them which are meant to mirror the very sculptural and textured | 上面有缩影 用来反映雕塑和纹理 |
| 26 | fabric of the suit. | 西装的布料 |
| 27 | You can see on the inside of the jacket the Chanel label | 夹克里面有香奈儿标签 |
| 28 | in white very stark lettering on black background. | 在黑色背景上写着非常鲜明的白话 |
| 29 | You can see some of the | 你可以看见一些 |
| 30 | stitching that has been tacking it down to the jacket has come loose and if we | 缝合一直 夹在夹克 已经松开,如果我们 |
| 31 | look inside around the back of the Chanel label there's a unique number | 看看香奈儿标签后面的后面 有一个独特的号码 |
| 32 | the couture number and this is really exciting to discover because this gives | 缝合数字,这真的令人兴奋 发现,因为这给 |
| 33 | you the exact information about when the suit was made, sometimes who it was | 你确切的信息 关于诉讼是什么时候作出的, 有时是谁 |
| 34 | made for, which season and which look it refers to. | 是哪个季节的? 哪个季节的? |
| 35 | So a Chanel suit almost | 所以,香奈儿西装几乎 |
| 36 | always if it's a couture piece will feature a gilt metal chain which runs | 如果它是一个缝合件 就会有一个金丝网 |
| 37 | all the way along the bottom hem of the jacket and the idea with the chain is | 一直沿着夹克的底部 和想法与链 |
| 38 | that it allows the fabric to very very comfortably and perfectly fall as you're | 它可以让织物非常舒适 完美地坠落 |
| 39 | moving in the jacket. | 在夹克里移动。 |
| 40 | If we look at some of her earlier designs for jackets she | 如果我们看看她早先的外套设计 |
| 41 | originally used to use dress weights circular dress weights but the gilt | 原本是用裙子的重量 圆形裙子的重量 但 gi |
| 42 | metal chain became so popular and served its purpose so well that this features | 金属链变得很受欢迎 并且很适合它的目的 |
| 43 | from a certain point in her career in Chanel or couture suits. | 从她职业生涯的某一点 香奈尔或衣着。 |
| 44 | So according to | 所以,根据 |
| 45 | her family Antoinette was a very stylish woman I think we can all agree from | 她的家人安托瓦内特是个非常时髦的女人 我想我们都同意 |
| 46 | seeing the suit. | 看西装。 |
| 47 | She had some favorite designers that she often loved to dress | 她有一些她常喜欢的 设计师穿衣服 |
| 48 | in Christian Dior, Yves Saint Laurent and in her later years she lived to almost | 在克里斯蒂安・迪奥,伊夫・圣劳伦特 在她的后期 她生活几乎 |
| 49 | She was dressed in Missoni so super stylish lady. | 她穿着米索尼 如此的时髦女士。 |
| 50 | This was one of a number of Chanel | 这是香奈儿的一个 |
| 51 | suits that she had so this is going to be a permanent part of our collection. | 她有的西装 所以这是我们收藏的永久部分 |
| 52 | It | 这个 |
| 53 | will be available to be seen in our new study center in East London. | 可以在我们位于东伦敦的新研究中心看到 |
| 54 | We often get | 我们经常得到 |
| 55 | students and fashion designers coming to see our objects in our collection | 学生和时装设计师来看我们收藏中的物品 |
| 56 | particularly haute couture to study the techniques and this is going to be a | 特别是高素质的缝纫 研究技术,这将是一个 |
| 57 | really exciting one for them to study in decades and potentially centuries to | 令人兴奋的是,他们学习 在几十年和潜在的世纪 |
| 58 | come. | 来 |
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