离大谱！憨豆这张脸一开口竟是贵族腔？牛津高材生，藏的太深！
字幕摘录
| 时间 | 英文 | 中文 |
|---|---|---|
| 0:00 | Is this series called Iconic Characters? | 这个系列叫做"图标字符"? |
| 0:02 | Oh, I see, no. | 哦,我明白了,没有。 |
| 0:02 | I don't do idents or introductions. | 我不做标识或介绍。 |
| 0:10 | Man vs. Bee. | 男人对蜜蜂。 |
| 0:12 | Trevor Bingley, who's our hero in Man vs. Bee, | 特雷弗・宾利,谁是我们的英雄 在Man vs. Bee, |
| 0:15 | is just a very, very nice man, actually. | 只是一个非常,非常好的人,实际上。 |
| 0:18 | Kind of nicer than most of the characters that I play | 比起我扮演的大多数角色 感觉还好 |
| 0:21 | who tend to be very selfish or self-centered | 他们往往非常自私或自我中心 |
| 0:25 | or self-obsessed in some way, you know, | 或者以某种方式自恋 |
| 0:26 | particularly Mr. Bean. | 特别是豆先生 |
展开字幕全文（274 条）
| 序号 | 英文 | 中文 |
|---|---|---|
| 1 | Is this series called Iconic Characters? | 这个系列叫做"图标字符"? |
| 2 | Oh, I see, no. | 哦,我明白了,没有。 |
| 3 | I don't do idents or introductions. | 我不做标识或介绍。 |
| 4 | Man vs. Bee. | 男人对蜜蜂。 |
| 5 | Trevor Bingley, who's our hero in Man vs. Bee, | 特雷弗・宾利,谁是我们的英雄 在Man vs. Bee, |
| 6 | is just a very, very nice man, actually. | 只是一个非常,非常好的人,实际上。 |
| 7 | Kind of nicer than most of the characters that I play | 比起我扮演的大多数角色 感觉还好 |
| 8 | who tend to be very selfish or self-centered | 他们往往非常自私或自我中心 |
| 9 | or self-obsessed in some way, you know, | 或者以某种方式自恋 |
| 10 | particularly Mr. Bean. | 特别是豆先生 |
| 11 | So actually, we decided to create a character | 所以,实际上,我们决定 创建一个角色 |
| 12 | who is in many ways more real, more three-dimensional. | 在许多方面,他们更真实,更三维。 |
| 13 | He's a decent sort of family man | 他是一个体面的家庭男人 |
| 14 | who's just gone through a divorce. | 他刚刚离婚了 |
| 15 | He's very short of money, | 他缺钱了 |
| 16 | but he gets this job, house-sitting, | 但他得到了这份工作, 做家务, |
| 17 | for this very, very wealthy couple | 这对非常非常富有的夫妇 |
| 18 | who are going on holiday for a week, | 他们将放假一个星期, |
| 19 | and he has a lot of trouble with a bee. | 他和一只蜜蜂有很多麻烦 |
| 20 | On all 14 counts of dangerous driving, | 关于所有14项危险驾驶罪 |
| 21 | the destruction of priceless artwork, arson. | 摧毁无价艺术品 纵火 |
| 22 | That's basically the story. | 这基本上是故事。 |
| 23 | Man vs. Bee was very difficult to shoot, actually, | 男对女. 蜜蜂很难拍摄,其实, |
| 24 | because we couldn't find a real house to shoot in | 因为我们找不到真正的房子 |
| 25 | because it was during COVID | 因为那是在COVID期间 |
| 26 | and no one who owned an extremely nice house | 没有任何一个拥有一个非常漂亮的房子 |
| 27 | wanted a film crew in it. | 想要一个电影团队在里面。 |
| 28 | So we had to create a house of our own in the studio, | 所以我们不得不在工作室里 创建我们自己的房子 |
| 29 | which of course means you don't have a garden | 这当然意味着你没有花园 |
| 30 | and we need a garden. | 我们需要一个花园。 |
| 31 | And so we had four different locations for the garden, | 所以我们有四个不同的地点 花园, |
| 32 | two or three different locations for the interior | 内部两个或三个不同地点 |
| 33 | and one big interior set. | 和一个大内部的一套。 |
| 34 | Get him out, get him out, die! | 把他弄出来,把他弄出来,死! |
| 35 | And to be honest, I preferred the simplicity | 老实说 我更喜欢简单 |
| 36 | and the cheapness, if you like, | 和廉价的,如果你喜欢, |
| 37 | of some of the early Mr. Bean stuff, | 一些早期的豆先生的东西, |
| 38 | which as you say, we start wide. | 就像你说的,我们开始宽。 |
| 39 | There's a lot of wide shooting and I like wide shooting. | 有很多枪法 我喜欢枪法 |
| 40 | I'm a great believer in what Charlie Chaplin said | 我非常相信查理·卓别林的话 |
| 41 | is that life is a tragedy in close-up | 生活就是特写中的悲剧 |
| 42 | and a comedy in long shot. | 和喜剧在长镜头。 |
| 43 | If you sit back visually on a situation, | 如果你视而不见, |
| 44 | it automatically becomes funnier. | 它自动变得有趣。 |
| 45 | I mentioned which is a French comedian called Jacques Tati | 我提到一个法国喜剧演员叫雅克·塔蒂 |
| 46 | who said that comedy begins in the legs. | 说喜剧从腿部开始 |
| 47 | And making a character more real and more sympathetic | 让角色更真实更同情 |
| 48 | and more identifiable doesn't necessarily make him funny | 更能辨别 不一定让他觉得好笑 |
| 49 | because in many ways, what's funny about Mr. Bean, | 因为在许多方面 豆先生有什么好笑的 |
| 50 | for example, is his complete sort of selfishness | 比如说,他完全自私 |
| 51 | and he's a natural-born anarchist. | 他是天生的无政府主义者 |
| 52 | So he's a child trapped in a man's body, | 因此,他是一个孩子 困在一个人的身体, |
| 53 | whereas Trevor is an adult. | 而特雷弗是成年人。 |
| 54 | So it's not necessarily funny | 所以这不一定好笑 |
| 55 | to make him more three-dimensional, | 为了让他更有三维性 |
| 56 | but he becomes very obsessed and very self-centered. | 但是他变得非常着迷 并且非常自我中心。 |
| 57 | So in other words, he leaves his niceness behind | 换句话说,他把他的美貌抛在身后 |
| 58 | and that is when he becomes funny. | 那时他变得有趣。 |
| 59 | Ah! | 摆! |
| 60 | What? | 你说什么? |
| 61 | In reality, we didn't have a bee. | 在现实中,我们没有蜜蜂. |
| 62 | You'll be unsurprised to hear. | 汝等闻是语已不惊. |
| 63 | We had a plastic bee on the end of a rod. | 我们有一个塑料蜜蜂 在一根棒的尽头。 |
| 64 | If we wanted a bee to crawl across a worktop, | 如果我们想让蜜蜂爬过工作台 |
| 65 | then we had some professional puppeteers. | 然后我们有一些专业的傀儡 |
| 66 | And quite a lot of it, you know, | 还有很多事,你知道的 |
| 67 | when I was just acting like that in a room, | 当我在房间里这样的时候 |
| 68 | we didn't have anything at all. | 我们什么都没有 |
| 69 | It was just down to me to imagine the bee | 只能由我来想象蜜蜂 |
| 70 | and to be able to mime the situation, if you like, | 并能够模仿 情况,如果你喜欢, |
| 71 | well enough to make it look convincing. | 足够让人相信 |
| 72 | It was nice to look at a bee | 看着蜜蜂真好 |
| 73 | because your eyes, of course, always look different. | 因为你的眼睛,当然, 总是看起来不同。 |
| 74 | You know, that, if the bee's close, you look like that | 你知道,如果蜜蜂很靠近,你看起来像那样 |
| 75 | and if the bee's further away, you look like that. | 如果蜜蜂在更远的地方, 你看起来像那样。 |
| 76 | And I think the bee, I mean, the CGI of the bee is amazing. | 我觉得蜜蜂,我的意思是,蜜蜂的CGI是惊人的。 |
| 77 | I think it's one of the finest CGI animals | 我觉得这是最好的CGI动物之一 |
| 78 | ever to be seen on screen. | 在屏幕上看到。 |
| 79 | Mr. Bean, I probably enjoyed playing Mr. Bean the most | 豆先生,我大概最喜欢玩豆先生 |
| 80 | because he's a character who's furthest away | 因为他是个离我们最远的人 |
| 81 | from my own character. | 从我自己的角色。 |
| 82 | As a person, I don't like him at all. | 作为一个人,我一点也不喜欢他 |
| 83 | I think he's very odd and pretty weird and not very nice. | 我觉得他很怪,很怪,也不怎么好 |
| 84 | What's fun about it is it's an escape. | 有趣的是它是一个逃脱。 |
| 85 | You know, when you play the character, | 你知道,当你扮演的角色, |
| 86 | you don't care what you do. | 你根本不关心自己在做什么。 |
| 87 | It's a weird kind of release. | 释种怪异. |
| 88 | First time we did the character, I'm fairly certain, | 第一次我们做角色, 我相当确定, |
| 89 | was 1979 on stage. | 1979年上台时 |
| 90 | And that was when we had developed, I think, two sketches. | 那时我们开发了两幅草图 |
| 91 | One was the beach sketch in which he's trying to change | 一个是他想改变的海滩草图 |
| 92 | into his swimming trunks on the beach. | 进入他在海滩上的游泳衣 |
| 93 | And then there's the one in the church | 还有教堂里的那个 |
| 94 | in which he's sitting in the church | 在教堂里坐着 |
| 95 | and he misbehaves while someone's spouting a sermon. | 他的行为不端 当有人在布道。 |
| 96 | When I was a kid, I was a kid. | 幼年时为 I. |
| 97 | The character didn't have a name. | 角色没有名字. |
| 98 | He didn't have to have a name because there were no words | 他没有名字,因为没有字 |
| 99 | spoken in the sketches in which he featured. | 在他主演的草图里 |
| 100 | They were silent sketches. | 他们是默默的草图。 |
| 101 | But then when we thought, actually, | 但当我们想,其实, |
| 102 | these sketches are quite funny. | 这些草图很有趣 |
| 103 | It's quite an interesting idea to develop a comedy character | 发展一个喜剧人物是个很有趣的想法 |
| 104 | who doesn't use words. | 谁不用词。 |
| 105 | Television comedy had developed from radio comedy, | 电视喜剧是从广播喜剧, |
| 106 | which was a very wordy tradition. | 这是一个非常文字化的传统。 |
| 107 | And we had to give him a name in order | 我们必须给他一个名字 |
| 108 | to give the television show a name. | 给电视节目一个名字。 |
| 109 | So we came up with the name of Mr. Bean. | 所以我们想出了豆先生的名字 |
| 110 | We were thinking Mr. White for a while. | 我们以为怀特先生有段时间了 |
| 111 | That was an idea, but that sounded a bit dull. | 这是一个想法, 但听起来有点无聊。 |
| 112 | We thought of vegetables. | 我们想到了蔬菜。 |
| 113 | And Mr. Bean seemed to be short, sharp, and to the point. | 而豆先生看起来很短,很尖锐,而且很尖锐. |
| 114 | The one I remember shattering me the most, | 我记起最震撼我的那个 |
| 115 | making me the most tired and exhausted I have ever been, | 让我最疲惫和疲惫,我曾经是, |
| 116 | was a movie we did called Mr. Bean's Holiday, | 是一部我们叫豆先生度假的电影 |
| 117 | in which she travels down through France | 她穿梭在法国 |
| 118 | to the south of France to the Cannes Film Festival. | 法国南部到戛纳电影节. |
| 119 | And we did a sequence in Provence, | 我们在普罗旺斯做了一个序列 |
| 120 | which was where he gets caught up | 在那里,他陷入了困境 |
| 121 | with a peloton of cyclists, | 和一群骑自行车的人, |
| 122 | and he overtakes them with great ease. | 然后,他悄悄地赶上他们。 |
| 123 | I didn't overtake them with great ease. | 我并没有轻而易举地超越他们。 |
| 124 | I had to put in a tremendous amount of effort. | 我不得不付出巨大的努力。 |
| 125 | And once we'd done a couple of takes of that, | 一旦我们拍了几张照片 |
| 126 | I was absolutely dead because I'm not a cyclist, | 我死是因为我不是骑自行车的 |
| 127 | I'm not fit, I'm not an athlete. | 我不合适,我不是运动员。 |
| 128 | They cycled very slowly to make sure | 他们慢慢地循环,以确保 |
| 129 | that I overtook them very, very hard. | 我非常,非常地努力地发现他们。 |
| 130 | I remember thinking that I nearly killed myself | 我记得我差点自杀 |
| 131 | with the exhaustion. | 与疲劳。 |
| 132 | In those days, we tended to do things for real | 在那些时候,我们倾向于做一些真实的事情 |
| 133 | because it was cheaper, and CGI didn't really exist | 因为它便宜, 而CGI不是真的存在 |
| 134 | with the sophistication that it now has. | 和它现在的复杂。 |
| 135 | I mean, certainly the wider shots, | 我的意思是,当然,更广泛的镜头, |
| 136 | if you can see the wheels of the car on the road, | 如果你能看到路上的车轮 |
| 137 | then we were doing it for real. | 然后我们真的做了 |
| 138 | If it's a tighter shot, | 如果这是更紧的镜头, |
| 139 | then we may have been on a trailer being pulled along. | 然后我们可能是在拖车被拖走。 |
| 140 | Just to make it easy, I tended to just do it. | 为了方便起见,我倾向于这样做。 |
| 141 | I remember, you know, we wanted the shot | 我记得,你知道,我们想要拍摄 |
| 142 | of the car coming straight towards camera. | 车直冲镜头 |
| 143 | The cameraman was here, and I just drove straight at him. | 摄影师来了 我就直接朝他开了车 |
| 144 | And you would never do that in this day and age. | 你永远不会这样做 在今天和这个年龄。 |
| 145 | I mean, I stopped before I hit him, | 我的意思是,我停下来之前,我打他, |
| 146 | but I might not have done, | 但我可能没有做, |
| 147 | or the brakes might have failed because of that. | 刹车可能因此失效 |
| 148 | You're not allowed to do that kind of thing anymore. | 你不能再做这种事了 |
| 149 | But in those days, we did. | 但是在那些日子,我们做到了。 |
| 150 | 黑add者. | |
| 151 | The Blackadder is a recurring character in history. | Blackadder是历史上一个反复出现的角色. |
| 152 | We wrote a sitcom in which, over four series, | 我们写了一部喜剧 超过四集 |
| 153 | you see him in four different eras of British history. | 你从英国历史的四大时期看到他了 |
| 154 | The essence of The Blackadder, it's about hierarchy. | "黑衣人"的精髓,与等级有关. |
| 155 | Either it's the royal court or it's the army, | 要么是皇家宫廷 要么是军队 |
| 156 | which has a very definable levels of status. | 它的地位非常明确 |
| 157 | Effectively, in every subsequent series, | 实际上,在以后的每一个系列中, |
| 158 | I play the ancestor, the descendant of the person | 我扮演的祖先,人的后裔 |
| 159 | in the previous series. | 前一个系列。 |
| 160 | In the first series, he's a prince. | 在第一辑中,他是一位王子. |
| 161 | Precisely. | 没错 |
| 162 | In the second series, he's a lord. | 第二辑中,他是一个领主. |
| 163 | That baron bloke you executed today, you sure he's dead? | 你今天处决的男爵 你确定他死了? |
| 164 | Well, I chopped his head off. | 好吧,我砍了他的头。 |
| 165 | That usually does the trick. | 这通常就是把戏。 |
| 166 | Third series, he's a butler. | 第三辑,他是管家. |
| 167 | Lead on, my god. | 领头,我的上帝。 |
| 168 | I shall. | 我会的。 |
| 169 | And in the fourth series, he's a captain | 在第四系列中,他是队长 |
| 170 | in the British army in the First World War. | 在第一次世界大战中的英国军队中. |
| 171 | I must be pretty impressed having squadron commander, | 有中队指挥官我一定印象深刻 |
| 172 | the Lord Flashheart, drop in on your squalid bit of line. | 闪电之王,你走进你那肮脏的线 |
| 173 | Actually, no. | 事实上,没有。 |
| 174 | I was more impressed by the contents of my handkerchief | 我对手帕的内容印象更深刻 |
| 175 | the last time I blew my nose. | 我上次吹鼻涕的时候 |
| 176 | In the first series, he was a bit more of an idiot. | 在第一辑中,他更像个白痴. |
| 177 | In the second, third, and fourth series, | 第二、第三和第四辑 |
| 178 | he's a cleverer man sort of stuck | 他是个聪明人 有点卡住了 |
| 179 | in the middle of a hierarchy. | 在一个等级的中间。 |
| 180 | He'd love to move up, | 他很想升迁, |
| 181 | but he finds it very, very difficult to do so. | 但他觉得这样做非常非常困难。 |
| 182 | And he certainly doesn't want to move down | 他当然不想搬下来 |
| 183 | towards his sidekick, Baldrick. | 向着他的同伴鲍德里克 |
| 184 | Yes, and your definition of dog is? | 是的,你对狗的定义是? |
| 185 | Not a cat. | 不是猫 |
| 186 | Excellent. | 不错 |
| 187 | And he's always the middle guy. | 而他总是中间人物. |
| 188 | He's the sort of middle management guy | 他是那种中层管理者 |
| 189 | who resents those above him and he resents those below him. | 他们怨恨他上面的人,怨恨他下面的人。 |
| 190 | But he had a wonderful sort of weary cynicism | 但他有种令人厌倦的讽刺 |
| 191 | about the world. | 关于世界。 |
| 192 | And that I think is what made him surprisingly identifiable | 我想正是这个原因 使他能令人惊讶地辨认出来 |
| 193 | and also made him funny. | 也让他觉得好笑 |
| 194 | The big changes between the first series | 第一个系列之间的巨大变化 |
| 195 | and the second series was we went | 第二辑是我们去的 |
| 196 | from a very extravagant location-based, | 从一个非常奢侈的地点, |
| 197 | semi-film-like texture to something, | 半胶片状的纹理 |
| 198 | well, we just had to make something much more effective | 好吧,我们只是需要 做一些更有效的东西 |
| 199 | and much more funny and much more cheaply. | 更搞笑 更便宜点 |
| 200 | So we ended up with a sort of three-set sitcom. | 我们最后拍了三套情景喜剧。 |
| 201 | So there were only three sets | 原来只有三套 |
| 202 | and the action just moves between the three sets. | 动作在三组之间移动 |
| 203 | And then the third series, yeah, | 然后第三辑,是的, |
| 204 | we were in the Regency period | 我们在摄政时期 |
| 205 | with George III on the throne | 乔治三世登基 |
| 206 | and the Prince Regent in charge, is that right? | 和摄政王,对不对? |
| 207 | Sorry, history was never my strong point. | 对不起,历史从来不是我的强项。 |
| 208 | You know, Richard and Ben Elton, | 你知道,理查德和本埃尔顿, |
| 209 | Richard Curtis and Ben Elton, | 理查德·柯蒂斯和本·埃尔顿 |
| 210 | who really made the black out of what it was. | 谁真的把黑 从它是什么。 |
| 211 | It was just whatever they thought was going to work best. | 这是他们认为最可行的 |
| 212 | Whenever I've been invited to do one of his films, | 每次我被邀请拍他的电影 |
| 213 | I think I've always said yes. | 我想我总是答应 |
| 214 | So if I'm not in one of his films, | 所以,如果我不在他的电影之一, |
| 215 | then he hasn't invited me, | 然后他没邀请我 |
| 216 | which he's perfectly entitled | 他完全有资格 |
| 217 | not to do. | 不这样做。 |
| 218 | Well, like Love Actually, you know, is a case in point, | 其实,就像爱一样, 你知道,这是一个典型的例子, |
| 219 | which was when he asked me to do the small part | 那时他让我做小部分 |
| 220 | of the salesman in the shop. | 店里的推销员。 |
| 221 | Could we be quite quick? | 我们可以快点吗? |
| 222 | Prontissimo. | 普罗提西摩. |
| 223 | It was just a sweet, funny little part. | 这只是一个甜蜜,有趣的小部分。 |
| 224 | It took one all-night shoot in Selfridges | 在塞尔福里奇拍了一夜 |
| 225 | on Oxford Street, | 在牛津街上, |
| 226 | and it was a very nice thing to have done. | 和它是一个非常好的事情做了。 |
| 227 | Johnny English. | 强尼英语。 |
| 228 | Johnny English是英国间谍 | |
| 229 | who's not as good as he thinks he is. | 谁不如他想象的那么好。 |
| 230 | He always overreaches himself. | 他总是过度接触自己。 |
| 231 | His ambition is always greater than his skill. | 他的野心总是比他的技巧更强. |
| 232 | The joke is in that discrepancy between, | 开玩笑的就是... |
| 233 | you know, reality and ambition. | 现实和野心 |
| 234 | The master criminal sees not a room, | 罪魁祸首看不到房间 |
| 235 | but a series of opportunities. | 但一系列的机会。 |
| 236 | Should I come in through the window? | 我应该从窗户进来吗? |
| 237 | Possibly. | 也许吧 |
| 238 | Should I drop down from the ceiling? | 我应该从天花板上掉下来吗? |
| 239 | Perhaps. | 也许吧 |
| 240 | Actually, sir. | 实际上,先生。 |
| 241 | If there's one thing I think we can be fairly confident about, | 如果有一件事,我认为 我们可以相当自信, |
| 242 | that is that they didn't come up through the room. | 他们没有从房间里出来 |
| 243 | Oh, oh! | 瓳瓳 |
| 244 | I've got you, sir! | 我抓住你了,长官! |
| 245 | He's a curious thing, actually. | 他其实很好奇 |
| 246 | A relatively rare character, | 一个比较罕见的人物, |
| 247 | because he used to be called Richard Latham, | 因为他以前叫理查德・莱特姆 |
| 248 | and he was a character in some commercials | 他是一些广告中的角色 |
| 249 | that we made for Barclay Card in the 90s. | 我们在90年代为巴克利卡做的 |
| 250 | It was a bit of a no-brainer to say, | 说起来有点不理智 |
| 251 | well, actually, why don't we just make a feature film? | 好吧,实际上,我们为什么不只是 拍摄一部故事片? |
| 252 | When we try and think of a name for the movies, | 当我们想着电影的名字时 |
| 253 | I like sort of, you know, | 我喜欢那种,你知道, |
| 254 | the name of the character in there, like Mr. Bean. | 里面的人物的名字, 像Bean先生。 |
| 255 | And so in trying to think of a name, | 所以在想一个名字时 |
| 256 | we thought Richard Latham was a bit dull, | 我们觉得理查德・莱瑟姆有点无聊 |
| 257 | 但Johnny English确实... | |
| 258 | Johnny English. | 强尼英语。 |
| 259 | I'm here to see Pegasus. | 来见彼迦楼罗. |
| 260 | Still, no sense rushing things. | 但是,没有意义 匆忙的事情。 |
| 261 | I did most of the driving stuff I did. | 我做了大部分的驱动器 我做了。 |
| 262 | I did what I was allowed to do. | 我做了我被允许做的事。 |
| 263 | They are very, very reluctant | 他们非常,非常不情愿 |
| 264 | to allow the star actors to do them. | 让明星演员来做 |
| 265 | But I remember doing those things here | 但我记得我在这里做过那些事 |
| 266 | in the first Johnny English, | 第一个约翰尼英语, |
| 267 | when I fly down on the rope and grab the crown | 当我在绳子上飞下来 抓住王冠 |
| 268 | from John Malkovich's head. | 从约翰・麦克维奇的头。 |
| 269 | The Spark. | 火花号 |
| 270 | I hated every single one of them. | 我恨他们每个人。 |
| 271 | I must've done it 25 times. | 我一定做过25次了 |
| 272 | The swinging on a big rope. | 大绳上摇摆. |
| 273 | So I did some, and I didn't do others. | 所以我做了一些, 我没有做其他。 |
| 274 | I must've done it 25 times. | 我一定做过25次了 |
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